Showing posts with label ursula k. le guin. Show all posts
Showing posts with label ursula k. le guin. Show all posts

Wednesday, January 24, 2018

Ursula K. Le Guin

The grand dame of imaginative literature has died, aged 88.

Acclaimed author of such socialist/anarchist-oriented fantasy masterpieces as The Dispossessed and The Left Hand of Darkness, Ursula Le Guin largely confined herself to poetry, social commentary and yes, blogging, in her later years. As a matter of fact, I was in the middle of a collection of her often hilarious essays when I got the New York Times alert that she had died at her home in Portland, Oregon after several months of ill health.

  My favorite essay in the collection ("No Time To Spare") so far is her skewering of an insipid questionnaire she received from Harvard University in 2011, in which aging alumni were asked what they cared about, and what they did in their spare time. And thus the title: when you're in your 80s, your days are rather too limited to worry about filling out stupid surveys which proffer golf, bridge, shopping and racquet sports as the most likely answers to how aging and comfortable Ivy Leaguers spend their free time. Not one of the choices for old-age activities lacked a capitalistic profit motive at its very core.

"An increasing part of living, at my age, is mere bodily maintenance, which is tiresome," Le Guin quipped. "But I cannot find anywhere in my life a time, or a kind of time, that is unoccupied. I am free, but my time is not. My time is fully and vitally occupied with sleep, with daydreaming, with doing business and writing friends and family on email, with writing poetry, with writing prose, with thinking, with forgetting, with embroidering, with cooking and eating a meal and cleaning up the kitchen, with construing Virgil, with meeting friends, with going out to shop for groceries, with walking if I can walk and traveling if we are traveling, with sitting Vipassana sometimes, with watching a movie sometimes, with  doing the Eight Precious Chinese exercises when I can, with lying down for an afternoon rest with a volume of Krazy Kat to read and my own slightly crazy cat occupying the region between by upper thighs and mid-calves, where he arranges himself and goes instantly an deeply to sleep. None of this is spare time."

"What is Harvard thinking of?" she scoffed. "I am going to be eighty-one next week. I have no time to spare." (Le Guin was actually a 1951 graduate of Radcliffe, the "sister school" of the then-all male university.)

She was an ardent critic of neoliberal capitalism throughout her life, more than apparent in her body of work. One of the questions on the Harvard survey of octogenarian grads was how they ranked, for "future generations," the importance "of economic stability and growth for the U.S., terrorism, improved healthcare quality and cost, implementation of an effective immigration policy, improved bipartisanship in politics and the export of democracy."

"Since we're supposed to be considering the life of future generations," Le Guin acerbically reacted, after noting that Harvard falsely equated economic stability and growth, "it seems a strange list, limited to quite immediate concerns and filtered through such current right-wing obsessions as 'terrorism. effective immigration policy and the exportation of democracy' (which I assume is a euphemism for our policy of invading countries we don't like and trying to destroy their society, culture and religion.) Nine choices, but nothing about climate destabilization, nothing about international politics, nothing about population growth, nothing about industrial pollution, nothing about the control of government by corporations, nothing about human rights or injustice or poverty."

It's no accident that the death of this groundbreaking, award-winning writer, who John Scalzi calls the "spiritual mother of generations of writers," is barely being noticed on mainstream media. The New York Times obituary is now entirely gone from its initial placement below the digital home page fold. At the top of today's page, in fact, is a big spread about a "radical" new reality TV show called "RePaul's Drag Race" which commercializes the politics of personal identity for a mass audience.

Le Guin would probably have been amused, if not enamored, given that she was the literary ground-breaker of gender-bending narrative, with roots solidly planted in the original socialism-aligned feminist movement.

Here she is accepting the 2014 National Book Awards' lifetime achievement honors in decidedly anti-censorship and anti-capitalism ("a panic of ignorance and greed") language.