Struggles of the Rich and Famous

It's no longer enough for the superstars of the media-political-entertainment complex to flaunt their hedonistic lifestyles on TV. Even the queen of conspicuous consumption herself, Kim Kardashian, has flaunted her political capital by recently orchestrating the release from prison of a woman sentenced to a draconian term under harsh American drug laws, before pot-smoking became P.C.

Turn on the cable or click on any number of cool liberal news sites, and you'll learn all about how the rich and powerful are "fighting back" against Trump via the #Resistance, Inc. franchise. Either that, or they're fighting one another, usually via Tweet, for attention, ownership, and power. This often involves actors and actresses firing off nasty tweets to/about Susan Sarandon, who has made a few politically incorrect comments in her day, such as opining that the election of Trump possibly - potentially - is waking up a true Left.

"Debra Messing Lashes Out At Susan Sarandon" made the headlines in The Washington Post today. Messing, who is also plugging a reboot of her TV sitcom, groused that the awakening of young people to socialism unfairly takes away from the plight of the kidnapped migrant children, and therefore Sarandon should "shut the f up."

See what I mean? No matter how hard you try to avoid this stuff, the corporate media just won't let you. 

If anyone besides "our poor children" are being victimized, the consolidated media conglomerate wants you to know, it's those career people in the top 10% of income ownership rather than in the bottom 10%. You don't hear anything about Harvey Weinstein or Les Moonves and other media moguls groping and abusing and raping the office cleaning woman or the hotel housekeeper. You only hear about them victimizing relatively well-off and privileged women.

The outlier in the Predatory Boys' Club is, of course, Donald Trump, who goes after porn actresses and centerfold models, the better for the liberal class to sniff at how vulgar he is even in his choice of women to prey upon.

It's the job of The Star Collective to resist Trump so that we ordinary slobs don't get too carried away and start resisting the whole neoliberal financialized consumer culture that produced Trump in the first place.

As Guy Debord wrote in The Society of the Spectacle, the rich, famous and powerful maintain the status quo even while putting on a show of rebelliousness. Before Trump came along to upset this status quo through his vulgarity and self-parodying performances, the job of stars was merely to sell products and entertainment while flaunting their lifestyles, cars, bodies, mansions and vacations. At the most, a few outliers like Jane Fonda would generate a lot of pseudo-outrage by protesting the Vietnam War before it was cool to do so; and others, like brother Peter, would help the youth of America feel rebellious by smoking a lot of dope and making fun of redneck yahoos in the cult blockbuster Easy Rider.  

This conspicuous rebelliousness, co-existing as it does with the status quo of conspicuous consumption, is both banal and fake.

From Debord:

Stars -- spectacular representations of living human beings -- project this general banality into images of permitted roles.  As specialists of apparent life, stars serve as superficial objects that people can identify with in order to compensate for the fragmented productive specializations that they actually live. The function of these celebrities is to act out various lifestyles or sociopolitical viewpoints in a full, totally free manner.

This is why Madonna could yell through a bullhorn at an orchestrated, cop-free Women's March protest that she planned to burn down the White House and not get arrested for it. This is why George Clooney can get himself arrested outside the White House and be treated with deference and gentleness by the Capitol Police for the brief duration his career-boosting handcuffed photo-op. 

Comedienne Kathy Griffin, you might remember, was not treated so kindly by The Complex after she posted a picture of herself holding a fake bloody Trump head. But that was only because her stunt was considered by liberal virtue-signalers too vulgar and psychologically damaging to the Trump children. Even so, she's making her comeback on Twitter.

The anti-Trump hysteria is also the proximate cause of the mass media suddenly getting over its crush on Angelina Jolie and making her the bad guy in a child custody battle. Global humanitarianism is so out of style now, unless it's stickily glued to partisan politics and the fake Resistance.

As Debord further explains about celebrities posing as social justice warriors: 

They embody the inaccessible results of social labor by dramatizing the by-products of that labor which are magically projected above it as its ultimate goals: power and vacations -- the decision-making and consumption that are at the beginning and the end of a process that is never questioned. On one hand, a government power may personalize itself as a pseudostar -- on the other, a star of consumption may campaign for recognition as a pseudopower over life. But the activities of these stars are not really free, and they offer no real choices.

It's a reflection of the false choices offered in our rigged election system, isn't it?

Moreover, the replacement by the spectacle of "representative" democracy extends to the further blurring of the line between entertainment and politics, and politicians becoming stars in their own right. Barack and Michelle Obama were full-fledged stars long before they left the White House and went on a long series of luxury vacations. And even though lacking in personal charisma herself, Hillary Clinton has also been elevated to star status. Most recently she was "spotted" (media-speak for a pre-arranged photo shoot) canoodling with Oprah at a celebrity bash honoring Ralph Lauren's 50 years of dressing the rich and famous.

 

Of course, everything is prearranged -- not that the phony Resistance Fighters are even trying to hide how phony their high-fashion, high-dollar protests are.

As reported last spring in Politico, the Democrats are so upset about having lost to "an insane person," they're openly turning to Hollywood for help!

Top actors and producers - as well as famous politicians too cowardly to be named in the article - meet in a Hollywood "writers' room" to discuss scripts for how to get disaffected and marginalized people not in the top 10 percent of wealth owners to the polls to cast their ballots to serve the interests of the top 10 percent, which is so much more inclusive than the GOP's service only to the top 1 Percent.  

“One of the first things we were at least talking about in the beginning meetings was how to improve upon the message as to what does the Democratic Party stand for, what does that represent,” said Andrew Marcus, who owns the television and film company Apiary Entertainment. “When the Republican Party or [President Donald] Trump is able to say ‘Make America great again’ and nobody that I know can tell you what the DNC or any of the leading candidates’ slogans [are], I think that’s a marketing problem.”

 It's not about making people's lives better. It's about conning the mark and closing the deal. By talking to Politico about their true agenda, they reveal themselves to be every bit as crass as Donald Trump. And in a way, that makes them even worse than Trump, because at least he proudly wears his own greed and dishonesty like a badge of honor.

Of the group’s long-term goals, the producer Cindy Cowan said, “We’re looking at November. But our bigger end game, like most people’s end game, is the presidential.”
Though Hollywood professionals and celebrities have long maintained ties to the Democratic Party, their significance has largely been limited to their ability to raise money for candidates and causes. The group meeting is unusual for the lack of a direct fundraising tie.
“I was looking for something to do that didn’t involve giving money,” ( writer-producer Alex) Gregory said. “What I like about this thing is it’s not transactional.”

Whew, that's a relief. Nobody is getting directly bribed with dirty donor money.  That odious chore is being saved for the Obamas and the Clintons, who are very busy these days "headlining" fundraising spectaculars by and for the rich and famous. 

To be fair, though, Hillary has not totally forgotten the nondeplorable little people. I got this email from her just the other day:

Friend --

 One of the most incredible things to come out of the 2016 election has been how many members of this big-hearted team have turned frustration into action.

You're leading local campaigns and organizing protests. Youre showing up at town halls, rallies, and phone banks. Youre using your voices to support candidates who are breaking barriers and to speak out against policies that do harm instead of good.

Id like to send you an Onward Together sticker to thank you for your commitment -- just make a donation of $5 or more today, and Onward Together will get your sticker in the mail.

 

Get my sticker

Because of your dedication and generosity, weve been able to provide 12 groups with mentorship, resources, and more than $1 million in financial support -- and thats only in our first year. As the midterms draw closer, well be backing even more hard-working, groundbreaking organizations and candidates.

If youre with us, then donate to support this work and let us send you a sticker to say thank you.

Onward!

Hillary

The money raised supposedly will be used by Hillary and her party to "mentor" the lesser people about being good protectors of the ruling class and keeping the sloganeering "narrative" firmly glued, like a cheap sticker, to the needs and internecine battles of various factions of the ruling class (cynically described by Obama as two teams playing nicely together within the 40-yard line of professional elitist sport.)

As Guy Debord wrote, this concentration on sport and spectacle is meant to divert the attention of the Cheap Sticker Class from the real class war of the rich against the rest of us:

The false choices offered by spectacular abundance -- choices based on the juxtaposition of competing yet mutually reinforcing spectacles and of distinct yet interconnected roles... develop into struggles between illusory qualities designed to generate fervent allegiance to quantitative trivialities.

Such as gaudy cheap $5 stickers that probably cost two cents to make in a sweatshop along with the price of third class bulk postage to mirror the third class/third world status of their precarious recipients.  

I feel sticky. I feel like I need to take another shower.